Showing posts with label BOOKS. Show all posts
Showing posts with label BOOKS. Show all posts

Tuesday, 11 October 2011

Book Review: IN FREEDOM'S SHADE, The unspeakable horrors of Delhi, 1947


Sohail Hashmi



In Freedom’s Shade, by Anis Kidwai; translated from Urdu by Ayesha Kidwai; Penguin Books India 2011, Pp 382, price Rs. 450
Anis Kidwai belonged to the illustrious Kidwai family of Barabanki. The family has made more than a signal contribution to the making of India. Not only in politics and governance but also in diverse fields of creative endeavour. This short piece, though, is not about her or about her family but her most remarkable record of the unfolding tragedy in the Capital of India and in its surroundings in the aftermath of independence and partition.
Anis Kidwai, though extremely politically aware with sharp and clear views on what she saw happening, was not a political activist and would have probably continued to lead a well settled, almost sedentary life in Mussoorie, had the unthinkable not happened. Her husband, Shafi Ahmad Kidwai, the administrator of the Municipality, who had almost single handedly tried to keep peace in Mussoorie when everyone else had either given up or joined the rioters, was murdered.
A distraught Anis reached Delhi and in the hope of finding solace went to meet the Mahatma. Everyone seemed to be running to him and he had something for everyone. He listened to her and asked her to  work among those who had lost everything. Working for them, he said, will give you a reason to live.
Anis began working at the Purana Qila Refugee Camp, shifting later to the Humayun’s Tomb Refugee camp and then fanning out in the city with young students from Jamia, trying to prevent people from fleeing, trying to stop riots that threatened to break out every moment. She worked with Sushila Naiyar, Subhadra Joshi and many others in a desperate fight to restore sanity among a people who seemed, suddenly, to have taken leave of all decency and compassion.
Throughout all this she kept a diary of her daily experiences, the madness, the cruelty, the greed, the depravity, the unspeakable horrors that humans inflicted upon other humans. She also saw and recorded instances of great love, great courage shown, great sacrifices made and great risks taken by ordinary unarmed people to help and save others like themselves.
In Freedom’s Shade – Aazaadi ki Chhaon Mein, originally written in Urdu is based on those diaries – a recollection of what she saw and also a record of her observations between 1947 and 1949. The book, written in ’49, was eventually published by the Quami Ekta Trust run by D.R.Goyal and Subhadra Joshi in 1974. The National Book Trust published the book in Urdu in 1978 and in Hindi in 1981. The English translation under review is more than the QET publication or the NBT’s Urdu and Hindi versions. Ayesha Kidwai, the translator and granddaughter of Begum Anis Kidwai, has gone back to the original diaries and has included, in the main text, portions that were either left out or had appeared as footnotes, in the earlier publications.
Ayesha has been able to maintain the flow of the Urdu original and that is no mean achievement. I have dabbled in this activity and have some idea of how difficult it is. Except for a few minor problems in translating poetry, this is an excellent effort.
Having read the NBT publication in Urdu, and having heard about the conditions of the two camps from my mother, who had also spent time at both the places with her siblings and old parents, I can only welcome the present publication because this book fills a big gap in our collective memory of what actually happened in Delhi in the aftermath of the partition.
We have many records of the immense sufferings of the Hindu survivors who streamed into the new India from the newly created West Pakistan. This discourse has almost totally overshadowed the descriptions of four other tragedies that coincided with this migration from west Punjab: the migration of the West Bengali, Bihari, and East UP Muslims into East Bengal, the migration of the Bengali Hindu refugee into West Bengal and Bihar, the migration of the Muslim into Pakistan, and finally the plight of the Muslim in India who had chosen to stay. To Prof. Papiya Ghosh, whose life was so cruelly cut short by goons in Patna in December 2006, must go the credit of initiating studies about the migration to and from East Pakistan, one can’t think of too many other contributions in this area and except for the book under review there is precious little, not at least in Hindi and English, that records the tragedy of the Muslims who were in India, those that chose to leave and those who chose to stay.
Anis Kidwai’s personal account, conversational, first person singular, talks to you and reaches out to you. You travel with her and witness first-hand the horrors of those cataclysmic times. You hear of the Muslim refugee seekers at the Purana Qila Camp, who had chosen to go to Pakistan, being left at the mercy of the Pakistan High Commission, of the camp managements cornering beds and blankets for themselves while expectant mothers, infants and dying old people shivered under the open skies, of people trying to carry orphans with them, for they would work as servants in their new homes, of five year olds dreaming of growing up to kill the killers of their parents. Of the government of India virtually washing its hands off the affairs of the camp, of succor being provided by well to do Muslims and by no one else, reminds you of Gujarat 2002, but even this aid came selectively, the Nawab of Rampur sent blankets, but only for refugees from Rampur.
As you read one chilling account after another of perfidy and deceit, of official connivance with the killers, of doctors’ refusal to treat Muslim patients, of government offices telling their Muslim employees, even those who had chosen to stay, to leave and go to Pakistan, of pre-teen girls speared through their vaginas, of infants being chopped to pieces, of pregnant woman being stabbed through their wombs, of women, in their tens of thousands, on both sides of the blood-soaked border, kidnapped, raped and sold off, again and again and again, rioters, policemen, army men all joining in this macabre act of desecration of womanhood, your blood begins to run cold.
And all this in the capital of a nation that had announced to the world that she was home as much to the Muslim as it was to the Hindu, the Sikh, the Parsi and the Christian. Those upon whose shoulders had fallen the responsibility of steering its fate, were people who were either not capable or did not care and some, many of them were almost at the top, were complicit in the violence.
As you read all this, your mind begins to be flooded with images and reports of the recent past, events, pogroms, genocides – Nellie, Bombay, Gujarat begin to flood your mind. The same barbarities, the same callousness, collusion, protectors turning perpetrators, doctors refusing to treat patients, suckling infants being beheaded, neighbours killing neighbours and all this amidst claims of a faith that was inherently tolerant, open, welcoming.
You also think of this frail woman, a woman who has lost her husband to these killers and who still went out every day, trying to save one more life, unite one more family, buy sweets for a girl with half her skull stitched up, supervising rations for the refuge seekers, begging for blankets, setting up schools for children, organizing joint processions of Hindu and Muslim children, getting their parents together, getting into communally charged localities and asking people to stop the dance of death, if not for anything, then at least for the life of the fasting Mahatma, who had vowed not to eat as long as peace did not return to Delhi.
As you read you see this unsure, scared, confused, hurt, lonely woman, grow up in stature and with her rises your hope and your faith in the victory of the Human spirit.
Read this book if you want to understand where we went wrong and to see the fault lines, to see how we need a secular state and not sarv dharm sambhav. Read this book also if you want to understand the falsity of the self image that we have created of ourselves and of our nation, but read it most importantly to understand the fragility of the premise upon which is built the idea of India and the need to protect and nurture this premise and to make it real. Because this premise is India and it is people like Anis Kidwai that made it possible.
(First published in The Book Review, Vol XXXV, Number 8-9 August September 2011.)

Thursday, 22 September 2011

Book Review: Godse's Children Hindutva Terror in India



"Godse's Children Hindutva Terror in India" by the veteran writer SUBHASH GATADE is Pharos Media’s latest book in English on one of the hottest subjects in modern Indian history – Hindutva terror perpetrated by over a dozen terrorist outfits allied to the Sangh Parivar. The book, spread over 400 pages and priced at Rs 360, is the first exhaustive study of this most dangerous phenomenon which was first exposed by the Maharashtra ATS chief Hemant Karkare after it remained active for years in a most ingenious way in which both the victims and the “terrorists” were Muslims. The author traces Hindutva terrorism started from the assassination of the Father of the Nation Mahatma Gandhi to most recent cases like Malegaon 2008 and Samjhauta Express blasts. The book also contains a foreword on “RSS’ tryst with terrorism: past & present” by Professor Shamsul Islam of Delhi University who is an expert on RSS.

Following are the chapters of the book:
1. Introduction: Terror sevaks!, 2. First Terrorist of Independent India, 3. Spectre of Terrorism, 4. Legitimate Violence and Terrorism, 5. Are You Joking Mr. Bhagwat? - Conflating Hinduism and Hindutva, 6. Thus Spake the Masters!, 7. Gurukul for Explosives, 8. Diary of a Pracharak-Terrorist: Why RSS wants to forget Sunil Joshi’s Murder?, 9. Ajmer Sharief Bomb Blasts: Journey of a Case, 10. Friendship in Flames? Unravelling the Samjhauta Express Bomb Blast, 11. Was Purohit an Exception?, 12. Villain in Life: Hero in Death, 13. Where is Hemant Karkare’s Bullet-Proof Jacket?, 14. Modasa Blast: The H Factor, 15. In the Name of Criminals: How Hindutva Terrorists operate in Karnataka, 16. Asna’s Prayer: Parivar Bomb Makers in ‘God’s Own Country’, 17. Terrorism’s ‘Tenkasi’ Moment, 18. Kanpur: Bomb Blasts That Were Not?, 19. Destruction of Evildoers’ as “Spiritual Practice”, 20. Who is watching the Spies?: Revisiting Malegaon bomb blast I, 21. The Nanded Way: What Maharashtra Thinks Today, 22. Global Dimensions of Hindutva Terror, 23.Welcome Mossad!, 24. When Lawyers Masquerade as Judges!, 25. Manufacturing “Encounters,” Fabricating “Terrorists”, 26. Shastrapujas: What is Religious about Worshipping Weapons?, 27. The New Age Gurus: Subscribers of Militant Hindutva, 28. Criminals for Hindutva: The Hidden Arm, 29. RSS: 1948 of 2011, 30. Hindutva Terror and Secular Formations, 31. How Can Terrorism Become History? - Eliminating the Menace of Hindutva Terror.

The book also has ten appendices of relevant and documentary material related to the Hindutva terrorism in India. The book may be ordered from Pharos Media, publishers of MG.

Monday, 19 September 2011

Chetan Bhagat's "Revolution 2020" On Corruption



Mr. Bhagat’s new book “Revolution 2020” addresses the hot topic of corruption and is set to release in October.

























Seven years ago an Indian investment banker penned a story of three friends at the Indian Institute of Technology, one of the country’s top schools. Soon after, the book became a best seller, hugely popular among India’s college crowd. Same thing happened a year later, when he published his second novel, this time on the life of call center employees .

The books were “Five Point Someone” (2004) and “One Night @ the Call Center (2005).” The former banker is Chetan Bhagat, an author credited with having helped extend the reach of literature to a broader audience in India. While some critics initially brushed off his success as mere fluke, his lasting popularity proved them wrong. Among the country’s teenagers and twenty-somethings, he is little short of a youth icon. Last year, he even made it in Time magazine’s list of “100 Most Influential People in the World.”

His books have gone on to become Bollywood hits, the most successful of which has been “3 Idiots,” a blockbuster inspired by his first novel starring Aamir Khan.

After tackling the sensitive topic of the Gujarat riots in “The 3 Mistakes of My Life,” (2008) and inter-communal marriages in his “2 States,” Mr. Bhagat’s fifth book is set for release in October.

Chetan Bhagat: A former banker turned author,
Chetan Bhagat is credited 
with having helped
extend the reach of literature to a broader audience in India.


The book, “Revolution 2020,” addresses the hot topic of corruption, a theme that resonates loudly in India in the aftermath of the mass anticorruption protests led by social activist Anna Hazare.

Q&A: Chetan Bhagat on His New Book

Mr. Bhagat spoke to India Real Time about his new book, corruption and why his novels are like ketchup. Edited excerpts:

IRT: After “Five Point Someone,” many authors wrote novels based on similar experiences at IIT. None had your same success. Why do you think your novels got such an overwhelming response from India’s youth?



Mr. Bhagat: I think original voices get noticed. But most importantly, I think you should have a story to tell. The setting is only incidental. A lot of people believed that the story worked because of the setting or the pricing and they tried to crack the formula. While a formula can work to an extent, for a book to become very popular it has to connect with the reader. It has to have a soul. Whenever a book, and not just mine, was popular, it was very original for its time. In case of “Five Point Someone,” even though it was about IIT, after reading the book what you remember are the characters – that’s what a book needs to have: a very independent connection with the readers.

IRT: Is your experience at IIT still an important influence in your work?



Mr. Bhagat: I think not. But what it does do is that when I was at IIT, there were students from all over India. So I have a good sense of what people from different parts of India are like. Secondly, I used to write a lot of plays there and it’s a demanding audience because they are super smart and it’s very hard to get their attention. So whenever we used to make something, our idea was that even the most hostile audience is spellbound. I think those learnings are still there in me. Even now I try to make each page compelling for the readers to get absorbed in the book.

IRT: Do you ever regret having quit banking?



Mr. Bhagat: Let’s be honest: the trappings of investment banking are quite tempting. I do miss it sometimes. And to be honest, there was a time I’d read the WSJ in the morning and for years I have done that. So reading it does make me nostalgic! The day I miss banking the most is the bonus day! And the day I don’t miss it at all is when my wife, who works with a bank, has to work until late at night. But I think of the platform that I’ve got in India, I feel it’s very rare that a writer gets that.

IRT: Tell us about your upcoming novel. What is the significance of the title “Revolution 2020?”



Mr. Bhagat: This time, the title isn’t giving away the story. For example, the title “One Night @ the Call Center” is essentially what the book is about. This time it’s a little more serious. It’s really a love story in the backdrop of corruption in the education sector in India.

When I traveled for my talks as a speaker, I got a chance to see what’s happening at the private colleges in the country. I saw corruption at almost every level. While I am a capitalist at heart and I have no problems with commercialization as such, I believe that while it’s okay if education becomes a profitable business, it’s not okay if it becomes corrupt. You can make money…everybody makes money, but the moment you enter into a corrupt mindset, it has dangerous consequences – especially in education. If you have corruption in education, you end up with a whole generation that is not trained properly.

So I felt that it was the need of the hour. I wanted to bring the issue out but in a very accessible way. So I had to overlay a very exciting love story on it. That’s what led to “Revolution 2020.”

IRT: What are the main themes you have tackled in your new book?

Mr. Bhagat: I wanted to bring out small town India and their aspirations. I thought I would choose a town like Varanasi, which is the oldest city in India. But even there, children want a good career. While they are proud of their heritage, they are also looking at the future. So I thought it will make an interesting contrast. The moment you think Varanasi, you think burning ghats and sadhus [steps leading to the river Ganges and Hindu holy men.] But that’s not how I have written it. I have tried to make it a contemporary take on Varanasi.

The theme of the book is a love story. But even in that it’s different since this time I write about a love triangle. Here the girl knows both guys like her and she likes both of them. But it’s different from the way our Hindi movies treat a love triangle, where the foundation is usually miscommunication. I think love has become very practical and “Revolution 2020” will show that. If you look at my first book, I now find Hari and Neha [two of the book’s main characters] too sugary for me. But love can create so much heartache, so much competition and insecurity. That I felt I hadn’t done in any of my books. But I wouldn’t like to reveal much since the book isn’t out. I want the surprise to be there.

IRT: How have the recent political upheavals influenced your work in this novel?



Mr. Bhagat: It’s quite fortunate that the book is coming out at a time when corruption is at the top of mind. But it’s just luck since I started writing it almost two years back. You can’t just produce a book. I felt that there was a disconnect between the youth’s aspirations and their opportunities. When aspirations don’t meet opportunity it mounts to frustration. I felt I should give a voice to all those fans who read my books. We keep reading about IITs and IIMs [Indian Institute of Management] in the mainstream, but very rarely we talk of the youth that reside in the small towns – their aspirations and their struggles. But something like this is very hard to explain in an article. So I felt I needed a full-blown story, a creation of a world and it became the inspiration for my book.

Anna’s movement kind of tells that the time is right for this. But it happened when most of the book was done. But it’s a sign that it’s the right book for the country at the right time. But, frankly, when you read the book you see it’s not so political. It’s still 80% love story and the rest is about the issues I am talking about. “Revolution 2020” is something that is very close to my heart and I am very confident that it would do well.

IRT: What did you think of the way India’s youth responded to the Hazare movement?



Mr. Bhagat: I think it’s been fantastic. It’s everything I wanted to happen. In fact it’s happened a little sooner than I expected. At the same time, I think it’s not exactly a “revolution.” It was only a successful protest since the former goes on for a while. Two years back when I started writing columns, I would have been considered a lunatic for imagining the India I would like to see. But when I see a movement like this, I think there are plenty of people who want an equal society based on excellence. It’s very nice that the youth lent their time and energy to the cause. But you can’t fix a nation in 10 days. The youth has to be prepared to sacrifice more if they want to see a better nation.

IRT: When you write, what kind of reader do you have in mind?



Mr. Bhagat: That’s tough… because between “2 States” and this book almost two years have passed and a lot has happened in this time. One is that “3 idiots” came out. The other is that I’ve been writing columns in both Hindi and English newspapers for two years now. I’m guessing that it will be a very generic readership now. Those who had never picked up my books might pick it up now because they have read my columns. So I think it’s pretty broad. But for sure the young generation relates more to my work.

Many years ago, someone from WSJ said something to me that may have offended other writers. But I thought it was a very nice observation and I took it as one of my best compliments. He said, “Chetan your books are like ketchup.” It has been proven that everyone like the taste of ketchup and it goes with everything. So it may not win the prize for being the most gourmet dish, but it works for everyone.